Getzels Gordon Productions in Baltimore: Commercial Video and Post-Production Facility

Getzels Gordon Productions is a full-service video production and post-production house that handles commercials, corporate content, and branded video from shoot through final delivery. The company operates out of a facility in Baltimore and manages in-house editing, color correction, sound design, and motion graphics rather than outsourcing those functions. It sits in the middle tier of the local production market, working primarily with regional and mid-market clients who need professional output without the overhead of a large national firm.

What the facility offers

The company provides production services that break into two stages. Pre-production includes creative consultation, storyboarding, casting coordination, and location scouting; they will manage logistics for shoots in and around Baltimore or travel if a client books a project elsewhere. Principal photography happens either at the client's location, at their own studio space, or at one of several partnerships they maintain with Baltimore studios and sound stages. Post-production covers editing, color grading, sound design and mixing, title graphics, and motion graphics work. Audio work is done in-house with a dedicated mixing console and treated audio suite; this is the service that most often sets them apart from competitors who rely on external audio houses.

Pricing and project scope

Video production pricing depends entirely on project scope, shoot duration, and post-production complexity, and Getzels Gordon does not publish rate cards online. A ballpark expectation based on similar Baltimore shops: a 30-second commercial with one or two shooting days typically runs $8,000 to $15,000 before any travel or specialized talent costs. Longer-form corporate content (5 to 10 minutes) with multiple shoot days runs $15,000 to $40,000. Clients should expect a project consultation to begin any conversation, which is standard across the industry. Revision rounds are usually capped at a stated number per proposal, and overages are billed separately. The best practice is to call for a quote tied to a specific brief rather than hunting for published rates.

How it compares locally

Baltimore has a handful of production shops positioned at different scales. Devotion Studios, located in Canton, leans toward music videos and narrative short film, with greater emphasis on color-graded aesthetic over broadcast corporate work; they attract younger, design-forward clients and indie musicians. Charm City Media Group offers streaming and documentary work with pricing often oriented to nonprofits and educational institutions. Getzels Gordon's niche is steady-handed commercial work with particular strength in audio and color, making it the better fit for a company that needs a 60-second spot or a product explainer done right, not an art project. A client needing quick turnaround on a simple social-media clip would find cheaper options at smaller editing boutiques; a client needing work that will air on broadcast or major digital platform would land here.

Who it suits and who it doesn't

This facility works best for established regional brands, B2B service companies, real estate developers, and nonprofits with budgets sufficient to cover a two-to-three-week post-production timeline and professional crew on shoot days. It is not a self-service editing studio or a place where a client can walk in with phone footage and get it cut in a day. It is also not positioned as a high-end motion-graphics house; if 70 percent of a video is animated effects work, that client is better served by an animation-specialized studio. Getzels Gordon suits the middle ground: a company that has a real brief, a location to shoot, and wants the work handled by people who will color-grade it right and mix the audio properly.

What the first engagement involves

Initial contact is by phone or email. The client explains the project, scope, deliverables, and deadline. Getzels Gordon typically schedules a pre-production meeting (in person or by video) to understand the client's vision, review any existing assets, discuss locations and talent, and nail down the shot list. A formal proposal follows, with timeline and cost. Once approved, pre-production scheduling begins: location permits if needed, crew confirmation, any talent booking. The client attends the shoot or nominates an on-set representative. After principal photography wraps, the editor begins assembly; clients usually see a rough cut within 7 to 10 days, followed by two or three rounds of revisions. Color and sound happen in parallel or sequentially depending on the project. Final delivery is typically a full-res master file, a broadcast-safe file, a social-media-optimized file, and separate audio stems for future reuse.

Location, parking, and hours

Getzels Gordon operates by appointment; they do not have walk-in hours. The facility is in Baltimore but exact address is best confirmed directly via phone or email before planning a visit. Parking availability depends on neighborhood; clients should ask when booking. The company typically operates Monday through Friday during standard business hours, with weekend or after-hours shoots accommodated by arrangement.

Getzels Gordon earns a place in this guide because it fills a specific gap in Baltimore's production market: clients who need broadcast-quality commercial work and care about audio and color grading enough to pay for in-house expertise rather than settling for quick turnarounds or outsourced finishing.