Marianne Poon in Baltimore: Private Violin and Piano Instruction for Pre-K Through Adult
Marianne Poon is a private music instructor based in Baltimore who teaches violin and piano to students from pre-kindergarten through adulthood, working both from a studio location and through remote lessons via video call.
What Marianne Poon actually is
Poon operates as an independent music teacher rather than a larger academy or school. She specializes in foundational instrument instruction for young children and maintains an adult student base as well. Her approach emphasizes careful listening, posture, and technique from the first lesson onward. She has trained students who have gone on to orchestra participation and competitive performance, though most of her students pursue music for enrichment rather than pre-professional preparation.
Services and pricing
Poon offers 30-minute, 45-minute, and 60-minute lesson formats. Lessons run weekly and are scheduled on a continuing basis rather than drop-in. Pricing for ongoing weekly instruction ranges from $75 to $150 per month depending on lesson length and student level; confirm current rates by contacting her directly, as pricing adjusts annually. She does not publish a public rate card online, so a phone or email inquiry is necessary to lock in exact figures for your preferred lesson duration.
Most of her students commit to year-round study, though summer flexibility is available. She does not typically offer trial lessons at a reduced rate, so prospective families should expect to pay full tuition for the first session.
How Marianne Poon compares to other Baltimore options
Baltimore has multiple pathways for instrument instruction: larger academies like Peabody Preparatory, which enrolls hundreds of students and charges $100 to $250+ per month depending on the program and conservatory affiliation; independent teachers scattered across neighborhoods; and occasional group classes through the Baltimore Recreation and Parks Department. Peabody Preparatory offers structured curricula, formal recital opportunities, and faculty who are performing musicians with advanced degrees. Poon offers the inverse: a small-roster, low-pressure environment where the teacher adjusts the pace and material to each child's readiness. This suits families who want their child to develop a genuine relationship with one teacher and take time to build fundamentals without the competitive or performance-heavy culture of a conservatory prep program. Peabody is appropriate if your goal is to nurture talent toward eventual auditions, competitions, or music school admission.
Who it suits and who it does not suit
Poon works best for students who respond well to individual attention, consistency with a single teacher, and a patient, technical approach to early learning. Parents seeking a low-key introduction to music for a young child, or adults returning to an instrument they played years ago, find her model effective. She is not a fit for families who need immediate availability, prefer group learning, want a structured performance calendar with recitals, or expect evening or weekend slots. Her schedule fills months ahead during fall and early winter; new students may face a wait list.
What the first visit involves
An initial lesson includes a conversation about the student's age, prior exposure to music, and what the parent or student hopes to accomplish. Poon will assess posture, listening, and any existing habits or tensions. For very young students (pre-K through early elementary), the first lessons focus on sitting at the instrument, holding it safely, and making intentional sound before notation or technique exercises begin. She does not require students to read music before starting; she teaches reading alongside listening and physical work. Come prepared to discuss your schedule flexibility and commit to a weekly time slot if you want to move forward.
Hours, location, and logistics
Poon teaches by appointment, with lessons held at her Baltimore studio or conducted via Zoom depending on the student's situation. She does not maintain a walk-in schedule or published office hours. Contact her by phone or email to arrange a consultation and initial lesson time. Verify current availability before assuming space exists in her student roster; she often has a waiting list during the academic year, especially for younger age groups. No public parking information is required for remote lessons; for in-person studio visits, ask her about street parking when you confirm the address.
Marianne Poon fills a specific niche in Baltimore's music instruction landscape: the skilled, patient solo teacher who prioritizes depth over enrollment. Families seeking this model find her through word-of-mouth and neighborhood networks, not advertising, which reflects her modest, selective approach to teaching.

